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Susan Sontag argued against Freud and for an “erotics of art” in her 1964 essay Against Interpretation. Harold Bloom applied Freud’s Oedipus complex to rivalries among poets and their precursors in his The Anxiety of Influence (1973), an approach given a feminist slant by Sandra Gilbert and Susan Gubar in Forward into the Past: The Complex Female Affiliation Complex (1985). Peter Brooks mined Freud’s dream-work for ideas of how novels are plotted in Reading for the Plot (1992).

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